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Spare Room Reading: Lindsay Hill & Chris Ashby
December 20, 2015 @ 7:00 pm - 9:00 pm
Lindsay Hill was born in San Francisco and graduated from Bard College. Since 1974, he has published six books of poetry including Contango, and The Empty Quarter (both from Singing Horse Press). Sea of Hooks, his first novel, was published by McPherson & Company in late 2013 and won the 2014 PEN Center USA Fiction Award and the 2015 IPPY Gold Medal for Literary Fiction. Lindsay works in the nonprofit sector and lives in Portland, Oregon, with his wife, the painter Nita Hill.
If a place explains itself in a sack of shards if a place where feet struck locks
In the ground with their heals accelerates from an edge on a bed of wheels and loss
Where disarticulated conveyances scatter their marriage of severed hands and gears
Across an actinide field of mirror-works and pasts in-folded into mileage and exhaust
If a mountain finds its place in the lake-moss floor if a head wind finds its house
If a drum is called a spoke in a fan of streets if a leash has kept a hand and
Throat apart how the sea in its cubic paragraphs of breadth cannot be known nor
The famous aluminum heart nor a voice below waves nor the infinite machinery of eyes
Chris Ashby is a poet and essayist. He is also the editor and publisher of Couch Press, which can be found at http://couchpress.tumblr.
Ah, Helium, invisible yet able to hold up ships
every object in its own time
in which the object watches the blue cover pass
there is an unbreakable limit for all life
we call this death
in the cosmos we call this light
we make the calls
Helium is the light of the sun
and its time is an aesthetic phenomenon
coupled with the rising yellow glow of the retribution
the post human
and the cyborg
poetics is the final fantasy of contradictory entities
what would a global phenomenon feel like?
it would feel like living
like the season we’re not having
Helium is the element of the fall
tucked away under the rocks
mixed with industrial leak detection