Brandi Katherine Herrera is a Portland, Ore. based multidisciplinary artist, poet, and translator, whose work in text, film, and sound explores the poetics of space. She is the author of Mutterfarbe, a limited edition artist book of color theory, experimental translation, photography, and poems, and Natürlicher, a chapbook of color swatch poems (Broken Cloud Press, 2016). Her work is held in various private and public collections, including the Seattle Art Museum, and Yale University’s Faber Birren Collection of Books on Color, and has been featured in a number of solo and group exhibitions, performance series, and publications, including 23 Sandy Gallery, Cube Gallery, Poetry Press Week, Pure Surface, The Volta, Octopus Magazine, The Common, and Poor Claudia, among others.

Jennifer Scappettone works at the crossroads of writing, translation, and scholarly research, on the page and off. She is the author of the hybrid-genre verse books From Dame Quickly (Litmus, 2009) and The Republic of Exit 43: Outtakes & Scores from an Archaeology and Pop-Up Opera of the Corporate Dump (just out from Atelos Press), and of the scholarly monograph Killing the Moonlight: Modernism in Venice (Columbia University Press, 2014). Her translations from the Italian of the polyglot poet and musicologist Amelia Rosselli were collected in Locomotrix: Selected Poetry and Prose of Amelia Rosselli. She founded, and curates, PennSound Italiana, a new sector of the audiovisual archive based at the University of Pennsylvania devoted to experimental Italian poetry. Her installation pieces were exhibited most recently at Una Vetrina Gallery in Rome and WUHO Gallery in Los Angeles, and she has collaborated on site-specific performance works with a wide spectrum of musicians, architects, code artists, and dancers, at locations ranging from the tract of Trajan’s aqueduct beneath the American Academy in Rome to Fresh Kills Landfill. Scappettone is an associate professor of various subjects at the University of Chicago.

Demian DinéYazhi´ (born 1983) is an Indigenous Diné transdisciplinary artist born to the clans Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) & Tódích’íí’nii (Bitter Water). Through research, mining community archives, and social collaboration and activism, DinéYazhi´ highlights the intersections of Radical Indigenous Queer Feminist identity and political ideology while challenging the white noise of the contemporary art movement. DinéYazhi´ is the founder of the artist/activist initiative, R.I.S.E.: Radical Indigenous Survivance & Empowerment, which is dedicated to the education, perseverance, & evolution of Indigenous art & culture. DinéYazhi´ also serves as co-director for the zine, Locusts: A Post-Queer Nation Zine. DinéYazhi´ is currently a 2017 resident for Portland Institute of Contemporary Art’s Creative Exchange Lab Residency Program, as well as an awarded recipient of Crow’s Shadow 2017 Golden Spot Residency. You can follow him on Instagram @heterogeneoushomosexual.