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100-influential-writers

December 2010: Elissa Nelson’s The Hundred Most Influential Writers…

Elissa Nelson has been making zines since high school, and from 1994-2003 she made a zine called Hope. She has also published fiction and non-fiction in publications including Slate, the Utne Reader, Seventeen, and The Sun. She is currently completing a novel and working on issue number two of The Hundred Most Influential Writers in […]

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hairland

November 2010: Zachary Scott Hamilton’s Hair Land

“Hair land started out as a series of unsettled, very stifled and unconnected poems, most of which were written inside a house we were squatting near Northeast 32nd street here in Portland near Alberta street. Between that house (which we had built a free wall for grafitti) and the cafe, which one I cannot remember, […]

imagwindows

October 2010: Erin Fae’s Imaginary Windows

“Miss Erin Fae sends letters, makes little books and zines, tangles her yarn, writes secrets, paints, and likes dipping zinc plates in acid. She has a tendency to use her hands. She’s afraid of drawing, but that doesn’t mean she doesn’t like trying. The littlest aesthete indulges in water laced with mint ice cubes, tanqueray […]

dillpickleclub

September 2010: The Dill Pickle Club’s Art for the Millions: The Enduring Legacy of the WPA

Art for the Millions is an audio CD and 28-page guided tour of Portland public works projects of the Works Progress Administration (WPA), a federally-funded program that provided relief to millions of idle workers during the height of the Great Depression. The audio program includes interviews with David Millholand, Ginny Allen, Nina Olsson, Mark Humpal […]

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empirebuilderpic

August 2010: A.M. O’Malley’s The Empire Builder

A.M. O’Malley is the IPRC Program Coordinator. Ms. O’Malley has a Bachelor of Arts degree in Creative Writing and Social Work A.M. O’Malley knows that the small is just a metaphor for the large, in the same way that veins are just metaphors for the branching limbs of oak trees and ferns uncurling in the […]

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