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From the Eyes of an IPRC Intern
TweetMy name is Natalie and I am the IPRC’s newest foster child (I’ll be interning here for the next 6 weeks)! I’m a literature and theatre student from Bennington College in Vermont (via California) and a longtime proponent of zinemaking.
Although this is only officially my second day at work here, it’s obvious to me that …
Our New Catalog
TweetCome on by and pick up a new catalog/zine featuring a cover by January’s exhibiting artist Alyson Provax.
New March/April 2011 Catalog & Zine
TweetThe new March/April 2011 workshop/events catalog is now available at the IPRC, Reading Frenzy and select locations. However, you may now register for classes online! Simply click on any of workshops listed above and pay through Brown Paper Tickets.
IPRC Member Testimonial
Tweet“The IPRC’s vision and sweat have given a voice to many who would not otherwise be heard. From Gutenberg on, speaking truth to power has almost always come from independent publishers. They have given us works such as Moby Dick, Leaves of Grass and Ulysses; works that have not only transformed literature but transformed their …
2010 Text Ball Photos!
TweetHuge thanks to everyone who made this year’s Text Ball a big success.
Check out Text Ball photos from the Portland Monthly’s website here.
Jesse Recklaw and Theo Ellsworth in the 2010 Best American Comics
TweetWe’re pleased to announce that IPRC Comics Program instructor Jesse Recklaw is featured in the recently-released Best American Comics Anthology, edited by none other than Neil Gaiman. Comics Program advisor Theo Ellsworth is also featured; in fact Theo designed the inside cover. This is just further proof that Portland and the IPRC are hotbeds of …
From Stella with Love
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Our first year comic’s certificate program anthology can be yours for just $5! Order now!
IPRC Audiozine Vol. Two
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during bygone eras, it was impossible to attend readings by nine of the Portland zine universe’s most massive satellites in a single evening. . . in the intimacy of your own sitting room. . . with only you in the audience. you used to have to use up most of your personal resources, …
